CHANGING ROOM
2026, BASEL
Intervention for After Hours
2026, BASEL
Intervention for After Hours
A 1954 villa sits above a strip of the Rhine River in Basel. Though this beach is public land, every route to it passes through private property. For a public exhibition held in the villa in the months before its demolition, Changing Room opportunistically transformed one domestic space into a changing room for river bathers.
Over three months and with the collaboration of over twenty individuals, the room was stripped of non-structural material and its facade was opened towards the river. Earth excavated from the remains of an artificial rock bath became a new ground. The villa’s existing plumbing lines were redeployed as a sink and an outdoor shower for collective use.
Throughout the month of June, a house awaiting demolition became a temporary public amenity: a setting for unexpected, intimate, and jubilant forms of collective occupation.
During construction, however, the shared path from the villa to the river was deliberately obstructed by a neighboring owner. Following unsuccessful mediation attempts, the project left the room: a 40-meter tube extended the villa’s water line over a retaining wall to a shower operated from the beach below. The intervention neither restored access nor resolved the conflict between public land and private ownership. Instead, it bypasses it infrastructurally, redirecting private resources toward collective use. Private and public realms are connected not through access, but through infrastructure.
Over three months and with the collaboration of over twenty individuals, the room was stripped of non-structural material and its facade was opened towards the river. Earth excavated from the remains of an artificial rock bath became a new ground. The villa’s existing plumbing lines were redeployed as a sink and an outdoor shower for collective use.
Throughout the month of June, a house awaiting demolition became a temporary public amenity: a setting for unexpected, intimate, and jubilant forms of collective occupation.
During construction, however, the shared path from the villa to the river was deliberately obstructed by a neighboring owner. Following unsuccessful mediation attempts, the project left the room: a 40-meter tube extended the villa’s water line over a retaining wall to a shower operated from the beach below. The intervention neither restored access nor resolved the conflict between public land and private ownership. Instead, it bypasses it infrastructurally, redirecting private resources toward collective use. Private and public realms are connected not through access, but through infrastructure.
SOMIN YOO is an architectural designer, curator, and artist working across the United States and Switzerland. Their work examines spatial and infrastructural politics. They have practiced at Christ & Gantenbein, Barkow Leibinger, and Neri & Hu.
Somin is the co-founder of Accessible Objects, a curatorial platform for emerging design.
Somin holds a BA in Art History from Yale University and is a 2028 MArch I candidate at the Harvard Graduate School of Design, where they received the 2025 Araldo Cossutta Prize for Design Excellence.
Somin is the co-founder of Accessible Objects, a curatorial platform for emerging design.
Somin holds a BA in Art History from Yale University and is a 2028 MArch I candidate at the Harvard Graduate School of Design, where they received the 2025 Araldo Cossutta Prize for Design Excellence.
CHANGING ROOM
Basel, 2026
Site-specific architectural intervention
A collaboration between Somin Yoo, Kaito Yamamoto-Ran, Adrián M. Maldonado, Jack Zhang, Oskar Emmrich
LIVING ROOM
Basel, 2026
Exhibition scenography for After Hours
A collaboration between Somin Yoo, Kaito Yamamoto-Ran, Adrián M. Maldonado, Jack Zhang, Oskar Emmrich
AO:05
Basel, 2025
Exhibition scenography and lighting objects
In collaboration with Kaito Yamamoto-Ran
40 CHAIRS
Boston, 2025
Fashion show and performance scenography for Noa Toyonaga
In collaboration with Paris Bezanis and Celeste Martore
2123: NAIVE FUTURES
Brooklyn, 2023
Curation
In collaboration with Chloe Vadot
HARVARD GRADUATE SCHOOL OF DESIGN
Masters of Architecture I
2023 - 2028 (ongoing)
ARALDO COSSUTTA DESIGN EXCELLENCE PRIZE
Harvard Graduate School of Design
2025 recipient
YALE UNIVERSITY
B.A. in Art History (Distinction)
2009 - 2014
Nominated for Andrus Award for Best Thesis in Art History Thesis
somin@sominyoo.com
@sominyoo